Auras seem to be artifacts of our interactions with the rest of creation to manifest what we need in our world. Auras are a sort of visual factor to comprehending the negotiation or mediation processes between our conscious, subconscious and unconscious desires and our collective super-consciousness that is our link with creation whereby all our dreams are made manifest.
Whenever we pray, meditate or day dream our Aura colors become more highly charged and we may discover our prayers have been answered, our thoughts have turned into reality, or our dreams came true. We frequently attribute this type of experience to coincidence but those in our midst who are familiar with the belief we create our own reality realize that this is not coincidence; instead, people know that this is our natural capability to directly manipulate reality, which we are developing on a level of our conscious awareness using our thoughts and feelings to steer ourselves.
There is a real interaction happening between us as well as the world around us on a subtle level that may be perceived by developing the talent to find out auras. Everyone has this talent; it is an innate part of who and what we should are. However, developing this talent to some degree where we may consciously perceive and study auras might take a little work. By imagining we already are able to do this we are able to open the best way to actually develop this talent right into a useful tool inside our lives. While imagination may be our first step about this journey, our journey will continue beyond the limits of our imagination and could manifest in a very real talent that assists us to perceive the planet around ourselves more clearly as well as change the world more deliberately.
I discover that auras appear as colors that move about and inside a subject. With any given subject there look like many associated colors, usually there are several particular colors which appear to be dominant. The colours and their forms and motions often improvement in response to my thoughts or even the thoughts of my subject as I am studying them. The interactions of my thoughts with the colors of my subject’s aura help me to start to build up a concept of what is happening inside my subject’s life and the things they should learn.
Typically I actually have preferred to sketch a portrait of my subject on a roughly textured neutral gray paper with colored pastel pencils. Drawing the underlying kind of my subject’s face takes about 5 minutes to produce a light sketch, meanwhile the action of drawing really helps to move me right into a more meditative, receptive frame of mind in which the colors commence to become clearer.
If no dominant colors or patterns are apparent i then consider each of the colors so as from red to purple/red in a number of repetitious cycles until I sense a harmony to particular colors commence to emerge. (A collection of color flash cards or perhaps a color wheel can be quite a useful tool for this function.)
Since the what color is my aura are moving I have to observe them for patterns and intensities and then render a montage in the themes I see so the most striking or important parts are portrayed.
I talk to my subject when i sketch, making suggestions that return responses in my subject’s aura which helps me to unravel the meanings of the colors and what is probably transpiring in my subject’s life that is being displayed inside the aura.
Dark or clouded elements of a feeling typically represent secrets or information my subject is repressing. Often these are generally things my subject is painfully conscious of or is trying to deny.
Light, bright or shining areas of a feeling indicate well being and balance. Sparkling parts represent an anticipation of imminent events.
It is possible to begin to see the influences of another person upon my subject as my subject targets that individual; it might then be apparent what role that other individual plays and if they will help or hinder my subject particularly ways.
As with any psychic practice, your reader should always take into account their own state to be and must take care not to project details of their own life in to the reading provided to a subject.
My paper tablet becomes a special window for me. On a single side I contain myself so as to not contaminate the things i see through my window. The life of my subject generally seems to me through my paper tablet. The window of my paper tablet assists me to maintain the main objective of my reading upon my subject while inhibiting me from interjecting a reading for myself in to the process.
In case you are not artistically adept you could still utilize the paper tablet and colored pencils, rather than striving to produce a likeness of the subject’s physical features dispense with the portrait preamble and instead doodle when you study your subject until the inspiration concerns begin reading their aura.
My favorite combination of colors is Green and Purple. Those two colors in combination represent Art within the Magick sense and creative activities such as writing or painting in the more mundane aspect. Typically this color combination is accented with Gold or Yellow. This is the property through which the Art or art speaks to us, transforming us.
The chance of Art (Magick) within the act of drawing a portrait is quite strong. Your reader may act as a healer and could try to downplay a style which may be connected with pain or suffering while playing up themes of happiness and spiritual advancement. But it is necessary to guide the niche when applying any Art, for that lesson from the pending hardship may be required from the subject and also the lesson must still manifest inside their life in a few form. Typically this type of lesson is replayed repeatedly in a subjects life; so instruction could be drawn from their past, in a way that they may finally ‘get it’ and dispense with the necessity for many further repetitions of the lesson which might become potentially harmful or unpleasant in general.
The application of Art rarely prevents the next cycle with this repetitious lesson from playing out, however it may ameliorate the following cycle to some great or small degree and the subject may be better capable of learn from the next repetition with their lesson in the event the reader has properly prepared them to perceive and understand their lesson.
To start your very own exploration of auras find some good crayons plus some rough neutral paper. The backs of brown paper bags are very beneficial to this. You may use photographs, objects around your house, pets, plants or nljsii as your subject. Black and white photographs are particularly good for this kind of exercise. Place your subject against a neutral background like a vacant white wall. Study your subject across the edges, if it is someone, pay particular attention to the crown chakra where energy channel is usually strongest. (You may even try directly observing a subject’s chakras.)
Personally, I find the edges of any subject’s profile are the most effective places to begin seeing the interplay of colored light that emanates from the inside them. If you believe the truth is nothing, then imagine your opinion you might find out if you might see auras. Take notes with all the colored pencils and then try to associate your ideas with the Chakra colors when you take notes. You can do this by just making use of the color crayon that seems most appropriate for you to create your feelings with. You are not necessary to set up your perceptions as a photo. Sometimes a thought could have one strong color and several associated colors. You can loosely overwrite whatever you have written with the exact same words in a different color if this seems appropriate, or you may find new words emerge when you decide on a new color in association with something you might have already written or drawn.
Just allow this to happen; don’t get too involved with the way you do that or what you may want to find out about an issue. Instead, open your heart and mind to each tiniest thought and feeling and follow these wherever they could lead you.